Most guitarists are familiar with the concept of the capo, and most probably have one or two kicking around in their cases and gig bags. While the most common usage of the capo is to facilitate smooth and easy key changes while retaining the ability to fret open chords, the capo has a few hidden advantages that can really help you play better, sound better, and add complexity and versatility to your guitar technique.
Check out the video above to get the entire lesson on how, when, and why to use a guitar capo.
If you like the Kyser Capo design in this video, you can pick one up HERE.
The vocal timbre and mournful wail of the slide guitar has become inseparable from the concept of Blues Guitar. However, in order to master the classic Blues guitar styles associated with the finger slide, you must first familiarize yourself with the different tunings that are key to those styles. Below is a list of my favorite, and most used, tunings for Blues Slide Guitar. With each tuning I’ve included a video, demonstrating how that tuning can be used to create a stylistic mood, which differs with each tuning. Remember, the more tunings you become familiar with, the more versatile you will be as a musician.
OPEN D & OPEN E TUNING
Open E: (E-B-E-G#-B-E) – tuned to E major chord
Open D: (D-A-D-F#-A-D) – tuned to D major chord
These two tunings are basically the same tuning… the only difference is that Open D is tuned one whole step lower than Open E. The tighter string tension of Open E makes it easier to play with low action, but the lower pitch of Open D produces more low-end body, and can give you a swampier vibe. That swampy vibe is all over this following video clip, which is is Open D tuning…
OPEN G & OPEN A TUNING
Open G: (D-G-D-G-B-D) – tuned to G major chord
Open A: (E-A-E-A-C#-E) – tuned to A major chord
These two tunings are also, in essence, the same tuning. The difference is that Open G is tuned a whole step lower than Open A. Delta blues guitarists like Robert Johnson made this tuning style famous. The sound of this tuning is great for solo guitar Blues playing, and allows the player to construct elaborate bass lines, since the root note is on the 5th string, as opposed to the 6th (bass) string, thereby allowing the player two bass strings for the thumb to play bass lines and 4 strings for the fingers to pluck melody notes.
Listen to how the bass lines play an important role in this following video, which is in Open G tuning…
Standard Tuning: (E-A-D-G-B-E) – not tuned to a chord
Standard Tuning is the most widely-used and standardized tuning for conventional 6-string guitar playing. It’s great for fretted (non-slide) playing because it makes many chord shapes and scale patterns comfortable for the fingers to reach. While it presents certain challenges for slide guitarists, Standard Tuning is actually a very versatile tuning for slide playing, offering many convenient chord fragments, both major and minor, up and down the fretboard. The key to understanding how to play slide guitar in Standard Tuning comes with learning how to mute the unnecessary strings, to prevent them from sounding. I have created an entire instructional DVD for playing in Standard Tuning, which you can check out.. just CLICK HERE for more info. The following video is an example of slide guitar in Standard Tuning…
OPEN Dm & Em TUNING
Open Dm (D-A-D-F-A-D) – tuned to D minor chord
Open Em (E-B-E-G-B-E) – tuned to E minor chord
While these tunings are not very well-known historically, they are some of my personal favorite, and most-used, slide guitar tunings. They are particularly great for playing in minor keys, but also work very well for Blues styles, even if the underlying harmonies are major. Again, these two tunings are essentially the same tuning, but Open Em is tuned one whole step higher than Open Dm. The following video shows how this tuning can be used in both fretted and slide styles. The acoustic rhythm guitar is tuned to Open Dm, and the 6-string lap steel is also tuned to Open Dm…
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