I love a screaming guitar solo as much as anyone, but some of my favorite music to listen to is that greasy, slow, electric fingerpicking blues guitar. Lightning Hopkins, John Lee Hooker, and R.L. Burnside are some of my favorites in that style.
I’ve gotten several requests to cover the song “Hard Time Killing Floor Blues,” by Skip James. It’s a perfect slow blues song to perform as a solo 6-string arrangement, since it has such a killer vocal melody and baseline.
For this recording, I chose to pick on my vintage Harmony Monterey guitar. It’s got a clean and punchy acoustic tone, which I mic’ed with a WA-47 Tube mic from Warm Audio. I also plugged the guitar into a Fender Princeton Blackface (re-issue) with the vibrato intensity cranked to 11. The old Hershey bar pickup in the Harmony is in neck position, which also contributes to the warm, full-bodied electric tone. Watch the video above, for the complete details on the gear and settings I used.
If you want to check out more of my rig-rundowns, and get a behind-the-scenes look into my recordings and videos, Subscribe to my new channel “Live form the Guitar Loft” HERE. If you have song requests or gear questions, let me know in the comments there. That channel is devoted to answering questions and requests.
Make sure you click the “FOLLOW” button to the right of this, to get more of my articles. …and of course, check out my music, downloads, lessons, and signature guitars at www.JustinJohnsonStore.com
Guitar Slides come in a multitude of different shapes, textures, materials, weights, and sizes… and all of those factors affect the sound, playability, and versatility of the slide. Just like painters who use a combination of different brushes to create the details and textures of a painting, it’s important to learn about what distinguishes different guitar slides from one another, in order to make and informed decision next time you pick up the guitar.
I worked closely with Jim Dunlop to design and manufacture my Justin Johnson Signature Guitar Slide with an eye towards creating the best combination of tone, sustain, and feel that we could squeeze into one slide… but no single option beats having an arsenal of gear to choose from, so that you can select the perfect fit for each musical context.
I recently received several packages from around the world with some exciting, new, and innovative design concepts… along with some classic and re-imagined designs. Check out the following LIVE STREAM video and hang out with me while we get to know these slides and what makes them special.
Some materials are just dying to be made into musical instruments, and ever since I first saw those whiskey-soaked oak barrels at the Jack Daniel’s Distillery in Lynchburg, Tennessee, I’ve always wondered what that wood would sound like if it could be plugged in and cranked up! Luckily, I’m not alone, because master guitar builder and instructor, Derek Lenard (better know as Big D Guitars) did exactly that! He took that old used barrel top, paired it with some reclaimed Tennessee barn wood, aged hardware, and some killer pickups.. and created a masterpiece!
Check out the videos below, where you see and hear this baby in action, then watch and listen as Big D walks you through every step of the build process. Don’t forget to subscribe to Big D’s Youtube Channel to check out what he’s building next.
Thanks for keeping the Roots alive! Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.
JACK DANIEL’S WHISKEY BARREL | SOLO SLIDE GUITAR SOLO
LIVE UNBOXING OF THE JACK DANIEL’S BARREL GUITAR
HOW TO BUILD A WHISKEY BARREL GUITAR: PART 1
HOW TO BUILD A WHISKEY BARREL GUITAR: PART 2
HOW TO BUILD A WHISKEY BARREL GUITAR: PART 3
HOW TO BUILD A WHISKEY BARREL GUITAR: PART 4
HOW TO BUILD A WHISKEY BARREL GUITAR: PART 5